Showing posts with label 70s. Show all posts
Showing posts with label 70s. Show all posts

Kate Schulte 1951-2011

Some people simply radiate goodness... you can even get drunk and barf on their nice rug and they say ohhh, that is nothing. When you reconnect with them years later, they never mention the rug, and instead tell you how wonderful you are. They impart their special magic to all of those around them. These are very rare, beautiful souls on this earth.

We have lost one.

Goodbye, dearest Kate.

~*~
SCHULTE, Kate "Kathaleen Beth" Schulte, beloved wife, mother, sister, aunt, and friend, left our company on September 15 from an apparent heart attack at the age of 60. Kate was born in Wichita, KS, and settled in Columbus, OH, in 1975. Her earliest work for justice was with farmworker organizers and the Columbus Tenants Union. In 1984, she met her swoon-unit, Michael Vander Does, on a memorable trip to the Kentucky Derby. Allen Ginsberg was a guest at their engagement party in July 1985 and they married a few months later. She loved and cared for her stepdaughters, Nicole and Naima Vander Does, as if they were her own. She loved to travel. The Yucatan, Italy, and New Orleans were favorite destinations. She attended 17 Jazzfests, seven Kentucky Derbies, and too many ComFests to count. She was a graduate of The Ohio State University College of Law, after which she became a well-known civil rights attorney. Perhaps her proudest legal work was on the Brunet firefighter sex discrimination case. A remembrance will be held at Ray's Living Room, 17 Brickel St., Columbus, OH, on Saturday, October 8, 2011 at 6 p.m., for her family and friends to celebrate her beautiful life.

From: Columbus Dispatch
~*~

I got on a bus once, drug-addled, and Kate was there. I meandered on back to sit next to her... I didn't even ASK if I could sit there. I told her I was all messed up on drugs.

"Well, you don't look like it!" she whispered, conspiratorially. And then she started telling me about her law book. I remember that it sounded very cool and interesting.

She reminded me, "Isn't this your stop?" She was right! Without Kate, would have ended up in Worthington or somewhere.

What I remembered, when I heard the news of her passing, was her warm, bright smile that day, when I sat next to her. She made even some silly druggie feel like the most important human being in the world.

So many people recall the warm, inclusive smile, and how it made them feel.

~*~

Yippies regularly crashed parties given by various important liberals and lawyers, which we loved to do. Go ahead, try to throw your poor lefty relations out of the party! (Sometimes they did.) We will talk trash about you and call you rich!

It was a game: "Do you think they'll let us in?"

But not at Kate's party: "Oh, that's fine, I love the Yippies. Somebody has to bring some controversy, don't they?!" (Was that a dig at the boring liberals?) She warmly invited us in, plied us with cheese and wine and introduced us to the well-heeled Democrats. She seemed to enjoy knowing scruffy anarchists, and also seemed to quietly enjoy ruffling those rich liberals a bit.

Official Yippie verdict on Kate: What a great person!

~*~

On Facebook, I told her, you know you are old when you are friending the people you used to babysit. She loved that. And it was via Facebook that I reconnected with a beautiful soul, and then lost her, in a year's time. And ohhhh my, it does hurt.

I've written about the modern phenomenon of experiencing death so up-close and personal via Facebook, and how it is now turning into a common occurrence. I hope this grief will not also become commonplace, but then again, perhaps it will serve to make us treasure every minute that much more.

As Kate would have done.

Monday Music: And the cat just finished off the bread

LIVE FROM NEW YORK, 40 years ago... this contains excellent, rare old photos of the band, as well as some blistering guitar solos to wake you up this Monday.

One Way Out - Allman Brothers Band (Live 1971)



~*~

Playing this to commemorate 9/11. Of course, it's significantly dated now, since we have no longer have any Berlin wall. Do the kids understand? (Could they ever?)

"Please don't be waiting for me."

Holidays in the Sun - Sex Pistols (1977)



~*~

"When I see you comin, I just have to run"... he was so funny! Debating if I should use a BDSM tag or not. (Nah.)

Vicious - Lou Reed (1972)



~*~

Who else thinks, "I am a passenger, I stay under glass" is the greatest line ever?

(PS: And now, you will also be earwormed to death with LA LA LA LA LALALA LAAAAAH! for the rest of your day.)

The Passenger - Iggy Pop (1977)



~*~

And this is the song that gives us today's blog post title.

Pinball - Brian Protheroe (1974)

Tuesday Tunes: Woodstock

I guess I shoulda waited until the anniversary of Woodstock next month to post these various versions of the song... but when I found all three versions on Youtube, I got excited and impatient.

As we know, all three could disappear by August, due to ongoing record company greed. So, I decided to post them now.

Which version do you like best?

~*~

First, the author's version.

Woodstock - Joni Mitchell



~*~

Second, the movie soundtrack version.

Woodstock - Crosby, Stills, Nash and Young



~*~

And finally, one of Daisy's special (and little-known) fangirl versions, with fabulous mystical loop-de-loop guitar riffs, played all over the place in 1970 and mostly forgotten since.

I know, musical heresy, but this is my favorite version of the song!

Woodstock - Matthews Southern Comfort (great visuals!)



Enjoy!

We're gonna have us a Champagne Jam

This clip contains some great photos of Atlanta in the 70s, causing my spouse to swoon with nostalgia.

And I just looooove this song... Enjoy.

Champagne Jam - Atlanta Rhythm Section

Ben Masel 1954-2011

Lots of other people have memorialized Ben Masel, most of them far better writers than I am. But I was unsatisfied. There is a word missing in these obituaries, from Daily Kos, to NORML, to TalkLeft and everyone in between.

That word is YIPPIE.

Ben was a YIPPIE.

Why are the lefty honchos avoiding the word in the obits? Because the "serious" leftists never liked us, that's why. But they loved Ben, who was extremely lovable. So, they avoid the word. It's their way of being polite.

Ben would say, hey, you gonna mention that I was a Yippie?

I can hear him now. And my reply to him, is to write this.

He sure was. He was THE Yippie.

~*~

At times like this, I wish I had a scanner, and I wish I was more organized. Somewhere in all the detritus, I have several photos of Ben, including one of us together on a skanky old couch, looking particularly wide-eyed and paranoid. This photo has someone's thumb in the corner of it, and I remember: peyote and lots of it. We are looking at the camera, but not really. I was wearing a Jeff Beck t-shirt, and Ben is holding a cigarette. (Now that we know his cause of death was lung cancer, I dearly wish he wasn't holding it.)

Ben looked exactly like Cat Stevens when he was young, and I had a ferocious crush on him. He was witty as the dickens, and I loved provoking him to see what kinds of funny things he would say.

I have a couple of Ben-stories to add to the collection.

The first one involves an endless journey, and I am not quite sure where it began and ended, but it took us through most of the Midwest, Madison and on into the Dakotas, to the Black Hills Alliance Survival Gathering in 1979. I do remember a van breaking down in the dead of night, leaving us stranded in what seemed like a vacant moonscape, as we had just left the Badlands. We walked or hitchhiked (a little of both?) to the rest area, which was designed as a giant cement teepee, appearing quite formidable from a distance.

After using the restroom, I come out of the giant cement teepee, and some clean-cut fellow approaches me out of nowhere. "Hey!" says this strange person good-naturedly, "Ben is already in the van!" The van? Which van? And so I follow the stranger to a gleaming new van with Missouri plates, where Ben is already sitting in the passenger seat, holding forth, talking to the other passengers about the Black Hills Alliance.

Okay, what!? Who are these people?

So, I go ahead and get in (glad they weren't serial killers or anything), and it comes together: these are friends of Ben's. Well, of course they are. But... damn, in the middle of South Dakota? He has friends at a rest stop in the middle of South Dakota????!!!

Yes, he did. Ben had friends everywhere, all over the place. When I told other Yippies this story, they just shrugged: "Ben knows everybody." And I think of all the other people I've known who supposedly "knew everybody"--and it usually meant they only knew a lot of people. I can't imagine them getting picked up by strangers at a rest stop in God-knows-where.

But Ben knew everybody. I mean, he really did.

~*~

Unfortunately, my next story is somewhat garbled, since the two principals are no longer with us.

I can't remember who was in jail, Steve Conliff or Ben. This was during the Republican National Convention in Kansas City in 1976, and one of the two (often known as the Glimmer Twins in Yippie parlance) was in jail for some silly traffic violation (and probable possession of marijuana) in Raytown, Missouri. If memory serves, it was Ben who was in jail, while Conliff took to local talk radio to threaten to bring a thousand Yippies to Raytown, to spring Ben. (Of course, there were never "a thousand Yippies"--which was the inside joke.)

"We aren't gonna let a punk town like Raytown get away with this!" Conliff bellowed over the airwaves.

And so, magically, the authorities let Ben go. That afternoon. And they specifically told him to tell his friend on the radio: "This is not a PUNK town!"

Ben assured them he would pass the word along. He then repeated the charge later that night to a reporter for the Kansas City Star: "I got busted last night in some punk town called RAYTOWN!" he pointedly said.

They quoted him, too.

~*~

A young photo of Ben; I told you he looked just like Cat Stevens!



And finally, THIS colorful and insane event, the Republican National Convention in 1980 in Detroit, wherein Ben was busted and Conliff miraculously avoided detection by shaving his head.

In the Detroit courtroom where about a dozen Yippies were arraigned, one Yippie was given 10 days for contempt of court. Ben spoke up: "Your honor, you have to give me 20 days, because I have twice as much contempt for your court as she has!"

They obliged.

Ben went to jail a lot, and sued them all later for arresting him. He won, too, frequently joking that it was a good living if you could wait forever to get paid.

~*~

This is the obit that gets quoted here on DEAD AIR, since it dares to use the dreaded word YIPPIE:
"Ben knew the laws better than the police did," explained his longtime friend Amy Gros-Louis, echoing a sentiment shared by judges, lawyers and the many police officers who came to regard Masel with a mix of frustration, awe and, eventually, respect.

So it was with Masel, whose death Saturday at age 56 robbed Madison, Wisconsin and the United States of one of the truest champions of the Constitution, the rule of law, and the founding faith that the freedoms outlined in the Bill of Rights are not just ideals; they are practical tools to be used on a daily basis to challenge the powerful, to offend the elites, to tip the balance toward some rough equivalent of justice.

These commitments made Masel a supreme annoyance to prickly policemen, prying prosecutors and pretenders to the presidency. Before he reached the age of 18, Masel made it onto the list of Nixon White House enemies, and he would later earn national headlines for mocking segregationist George Wallace and spitting at conservative Democrat Henry "Scoop" Jackson, who earned the wrath of Masel and his Yippie compatriots for his steady service to the military-industrial complex.
In later years, the exuberant agitator would express a measure of remorse for some of the more extreme acts of his youth. But he never apologized for exercising every right afforded a citizen.

No one pushed harder against the limits on dissent in what was supposed to be a free society. That pushing earned him dozens of court dates. But Bennett Masel, the New Jersey native who came to Madison as a UW undergrad and remained to become a local icon, was never merely a provocateur. He was, for all the theatrics, a serious believer in a left-libertarian analysis of the individual liberty that lawyers and judges came to understand as a credible extension of the thinking of Supreme Court Justice William O. Douglas, the longest-serving justice on the high court and a hero to 1970s radicals such as Masel.

Goodbye Ben, and thank you for teaching me to be a Yippie. It was the major lesson in civil disobedience that I never forgot.

~*~

More:

Ben Masel, an activist's activist

Activists and Visionarys

Ben Masel - Professional Activist

Oxygen or Anthrax?

Is love like Oxygen or Anthrax? I suppose that depends on what day it is.

Warning: This isn't the top-40 version, but the album-version with the art-rock interlude in the middle. I like it, but lots of people really hated it.

Love is like Oxygen - Sweet



~*~

Love like Anthrax - Gang of Four

Odds and Sods: Old St Charles sing edition

Image at left is courtesy of YELLOWDOG GRANNY, thanks Jackie Sue... you always sum up my thoughts! :D



This installment of ODDS AND SODS starts with a major TRIGGER WARNING, as they say. Warning, this thread descends into some very disturbing transphobic nastiness, but that's my whole reason for recommending it. It's pretty educational; I think the "radical feminists" who have colonized that thread illustrate one of the biggest problems with Second Wave radical feminism: Mean Girls.

And yeah, I knew a few in my time.

There was something about Second Wave feminist theory that easily lent itself to weird 'female superiority' arguments (in many instances, not just concerning transgender politics). Note their roaring silence on the subject of F to M transgender people: trans men don't fit their little just-so story, so they don't seem to piss them off as much. It's a very strange victim-chic thing. There is only so much victimization to go around, and the trans women are trying to horn in on OURS, which is COPYRIGHTED. At least, that's how several of the most pedestrian comments sound (yes, looking at you Delphyne!)... it's funny in the way that white supremacist websites are funny: not funny haha, funny sad.

The argument that trans people "uphold the gender binary" is bizarre, since I don't know anyone who doesn't. (The fact that we are forced to CHOOSE A SIDE, in fact, is the whole point, isn't it?) Why do these anti-trans feminists think they do not ALSO "uphold the gender binary"? Because they do. I do, you do, everyone does: If someone looks at you and calls you he or she on sight, well, you've passed the gender-test and you ALSO uphold the gender binary. IS there anyone on earth who does not uphold the gender binary? Where IS this magical omnigendered person? (Glen or Glenda?)

The question is then: Why are you holding trans people to a standard you are not holding everyone to? Why are they expected to "opt out" of a system you have not (and can not) opt out of?

PS: If you've had enough of reading that sort of thing, I can certainly relate. Warning, warning, warning, once again, highly offensive, reactionary victim-chic at the link.

~*~

I have not written about the political upheaval in Egypt, since I am ignorant of specifics and haven't had the time to delve properly into the subject. Thus, I share what smarter people have written:

Mubarak departs – what next? (A Scottish Liberal)

Mubarak Finally Listens – “Let My People Go!” (FireDogLake)

Katrina Vanden Heuvel: Neocons Have a Hard Time With Democracies That Emerge From Within a Country (Crooks and Liars)

~*~

:: A picture is worth a thousand words! You gotta see this: A Children’s Treasury of CPAC Stupidity: the Final Chapter Subtitled: TRINKETS OF THE DEATH OF AMERICAN CIVILIZATION... I promise you will love it!

:: On a more wonky note, Ezra Klein explains things carefully, in this post titled Do Republicans really oppose making health-care insurance cheaper? Yes, I've wondered that, too. Excerpt:
[The] short version is this: If you make health-care insurance cheaper and make it harder for insurance companies to deny people coverage, then a certain number of people who would like to leave the labor force but can't afford or access health-care insurance without their job will stop working.

To understand why, imagine a 62-year-old woman who works for IBM and beat breast cancer 10 years ago. She wants to retire. She has the money to retire. But no one will sell her health care under the status quo. Under the health-reform law, she can buy health care in an exchange because insurers can't turn her away due to her history of breast cancer. So she'll retire. Or imagine a 50-year-old single mother who wants to home-school her developmentally disabled child but can't quit her job because they'll lose health care. The subsidies and the protections in the Affordable Care Act will give her the option to stop working for awhile, while under the old system she'd need to stick with her job to keep her family's health-care coverage. That's how health-care reform can reduce the labor supply. If either case counts as a destroyed job, then so does my winning the lottery and moving to Scotland in search of the perfect glass of whiskey.
:: By way of Onyx Lynx, I found Avedon Carol's post quite thoughtful:
But I think there's also a deeper game here, and it explains why the entire media - not just the Murdoch and Moonie media - stays so focused on the right-wing crazies. It's the circus that deflects attention from what's really going on while everyone is playing games like "Beck is crazy" and "Look - Sarah Palin!" Well, yes, they've pretty much consistently done that sort of thing for the last 20 years, but I mean going even deeper than that, to why it is so consistent - enough that even some of our best liberal, independent bloggers just can't seem to pull their eyes away sometimes. Somebody out there wants us to keep watching the clown show for an even bigger reason.
:: OPEN LEFT is shutting down. Which is not a good sign. :(

Bye yall! I'll miss you!

~*~

This week's especially merciless ear worms:

This first one contains the original language, "I don't give two fucks about you"--which was sanitized for US airplay and became the more neutral, "I don't give a damn about you"... punks were considered pretty scary and thus, properly de-fanged for stateside radio. I'd never give you a de-fanged version on DEAD AIR!

I am proud to say, I own both versions in various mixes and anthologies, or I wouldn't even know about the censorship.

The Modern World - The Jam (1977)



~*~

Trigger warning, probable suicide references (debatable ever since song recorded in 1967); Joan Didion famously started her Doors essay with this song.

Moonlight Drive - The Doors (1967)



~*~

TOO GREAT FOR WORDS, this first-class mystical acidhead music can't be beat. Question: Are they chanting "Stonehenge! Stonehenge!" at the end? I've always thought so. Not sure what St Charles had to do with Stonehenge but hey, why not?

I really love this. NOTE: Acid flashback warning for at least half of my regular readers. :P

St Charles - Jefferson Starship (1976)

Scientology Examined by the New Yorker

"When we need somebody haunted we investigate. When we investigate we do so noisily always." - L. Ron Hubbard, MANUAL OF JUSTICE, 1959



I first met Scientologists when they showed up (uninvited) at various and sundry Yippie events, particularly Smoke-Ins, throughout the 70s. They seemed to think they could convert pot-smokers. This is possibly because the only time their theology makes any real sense is when you are stoned out of your mind. We regarded them as just another kooky 70s cult, like the Moonies, who would usually show up wherever and whenever the Church of Scientology did. It's like they were competing for the same members.

The Scientologists used to set up shop in a little booth (always smiling smiling smiling in a spooky, eager-beaver fashion), with those little tin-can things for "auditing"--called an E-meter. You see the E-meter, you know who it is.

A band of Yippies trooped up to them at one such local event, rudely pawing the sacred E-meter and peppering them with dumb questions. Finally, one Yippie put one tin can to his ear as the second Yippie started bellowing into it: "What?! What?! Play some BLACK SABBATH!"... causing onlookers to guffaw appreciably. Rather than becoming merely grim and humorless (as Christians might) or rolling their eyes and telling us all to GROW UP (as right-wingers would), the Scientologists suddenly appeared completely furious and could barely contain their anger. One became red-faced and livid: "Back off!" he hissed at the Black Sabbath fan, who seemed shocked and put the tin can down, appropriately backing off. "Those people are crazy," he whispered to me later. "You can feel the insanity vibe, just radiating off them," he said. Wow, really?

Some years later, I would walk by the same E-meter audit-set-up in downtown Columbus, Ohio (in front of the State House, no less), accompanied by some bright yellow balloons. My daughter, about three years old at the time, pointed at the gaily-colored balloons and wanted one. Pointing at the auditing cans (flanked by numerous copies of the tell-tale book Dianetics), I replied, "You don't want those balloons, hon, those are Scientologist Balloons!" --chortling at my own wit. Then I saw a business-suited-woman standing near the booth, and felt embarrassed she had heard me. I felt sheepish and giggled (exactly as I might act in front of a nun), but the Scientologist (auditing-Thetan, in this case) wasn't amused. She gave me the most hateful, evil look I have ever witnessed--and this includes nasty looks from right-wing maniacs and Reaganoids I have protested against over the decades. It was a glowering, focused, scary look. Damn, these people mean business, I thought. And from that point onward, I was very interested in the Church of Scientology. Rather like The Visitors who come in peace... well, sure they do.

Scientology-founder L. Ron Hubbard once wrote an amazing horror novel titled FEAR, which can scare the beJesus right out of you. After reading it and having a few nightmares, I realized that a man who could write like this could easily get to the bottom of an unruly or confused psyche and turn it upside down in record time. (I could not even bear to put the novel down, and I knew it was by L. Ron Hubbard.) FEAR's level of restrained paranoia/freak-out is incredible; the dramatic tension is not fully resolved until the last pages. Any religion started by this guy is going to be BLOODY HEAVY indeed, I thought.

And now, we have a famous Scientology-defector they can't eliminate, drive crazy or simply ignore: movie director Paul Haggis, who has gone public. He reached the second-highest level in the Church, Operating Thetan VII.

I have seen the New Yorker article titled The Apostate: Paul Haggis vs. the Church of Scientology posted in about a half-dozen places already, so let me add my link.

It's long, but contains some real doozies. Brother and sister scandalmongers, you must read it:
Many Hollywood actors were drawn into the church by a friend or by reading “Dianetics”; a surprising number of them, though, came through the Beverly Hills Playhouse. For decades, the resident acting coach there was Milton Katselas, and he taught hundreds of future stars, including Ted Danson, Michelle Pfeiffer, and George Clooney. “Most of Hollywood went through that class,” Anne Archer told me.
...
Jim Gordon, a veteran police officer in Los Angeles, and also an aspiring actor, spent ten years at the Playhouse, starting in 1990. He told me that Scientology “recruited a ton of kids out of that school.” Like Scientology, the Playhouse presented a strict hierarchy of study; under Katselas’s tutelage, students graduated from one level to the next. As Gordon advanced within the Playhouse, he began recognizing many students from the roles they were getting in Hollywood. “You see a lot of people you know from TV,” Gordon says. He began feeling the pull of the church. “When you started off, they weren’t really pushing it, but as you progressed through the Playhouse’s levels Scientology became more of a focus,” he told me. After a few years, he joined. Like the courses at the Playhouse, Scientology offered actors a method that they could apply to both their lives and their careers.
Finally, an explanation for why so many actors are Scientologists; they actually targeted the industry from the inside. I had mistakenly believed they zeroed in on celebrities from the outside, you know, like they did the pot-smokers. Nope, they get them while they are studying for something else entirely. Interesting.
Katselas received a ten-per-cent commission from the church on the money contributed by his students.

Katselas died in 2008, and Scientology no longer has a connection with the Beverly Hills Playhouse. Anne Archer told me that the reputation of Katselas’s class as, in Gordon’s words, a “Scientology clearinghouse” is overblown. “His classes averaged about fifty or sixty people, and there would be maybe seven to ten people in it who would be Scientologists,” she says. But the list of Scientologists who have studied at the Playhouse is long—it includes Jenna Elfman, Giovanni Ribisi, and Jason Lee—and the many protégés Katselas left behind helped cement the relationship between Hollywood and the church.
More goodies from the article, which you should read and pass around:
David S. Touretzky, a computer-science professor at Carnegie Mellon University, has done extensive research on Scientology. (He is not a defector.) He estimates that the coursework alone now costs nearly three hundred thousand dollars, and, with the additional auditing and contributions expected of upper-level members, the cumulative cost of the coursework may exceed half a million dollars. (The church says that there are no fixed fees, adding, “Donations requested for ‘courses’ at Church of Scientology begin at $50 and could never possibly reach the amount suggested.”)
That pesky inflation!

And by the way, although the church doesn't like it when you refer to the E-meter as "tin cans"--according to this article, it STARTED as mere SOUP CANS, seriously:
During auditing, Haggis grasped a cylindrical electrode in each hand; when he first joined Scientology, the electrodes were empty soup cans. An imperceptible electrical charge ran from the meter through his body. The auditor asked systematic questions aimed at detecting sources of “spiritual distress.” Whenever Haggis gave an answer that prompted the E-Meter’s needle to jump, that subject became an area of concentration until the auditor was satisfied that Haggis was free of the emotional consequences of the troubling experience.
And finally... yes, at long last, we're getting to Xenu! You knew he was coming!

Only a really great horror/sci-fi mind could have hatched Xenu:
The church, which considers it sacrilegious for the uninitiated to read its confidential scriptures, got a restraining order, but the Los Angeles Times obtained a copy of the [Thetan] material and printed a summary. Suddenly, the secrets that had stunned Paul Haggis in a locked room were public knowledge.

“A major cause of mankind’s problems began 75 million years ago,” the Times wrote, when the planet Earth, then called Teegeeack, was part of a confederation of ninety planets under the leadership of a despotic ruler named Xenu. “Then, as now, the materials state, the chief problem was overpopulation.” Xenu decided “to take radical measures.” The documents explained that surplus beings were transported to volcanoes on Earth. “The documents state that H-bombs far more powerful than any in existence today were dropped on these volcanoes, destroying the people but freeing their spirits—called thetans—which attached themselves to one another in clusters.” Those spirits were “trapped in a compound of frozen alcohol and glycol,” then “implanted” with “the seed of aberrant behavior.” The Times account concluded, “When people die, these clusters attach to other humans and keep perpetuating themselves.”
As that wise old shopkeeper on the old Friday the 13th TV show was always saying: It all makes a terrible sense.

And you wondered when Tom would show up.
In 2004, Cruise received a special Scientology award: the Freedom Medal of Valor. In a ceremony held in England, Miscavige called Cruise “the most dedicated Scientologist I know.” The ceremony was accompanied by a video interview with the star. Wearing a black turtleneck, and with the theme music from “Mission: Impossible” playing in the background, Cruise said, “Being a Scientologist, you look at someone and you know absolutely that you can help them. So, for me, it really is K.S.W.”—initials that stand for “Keeping Scientology Working.” He went on, “That policy to me has really gone—phist!” He made a vigorous gesture with his hand. “Boy! There’s a time I went through and I said, ‘You know what? When I read it, you know, I just went poo! This is it!’ ” Later, when the video was posted on YouTube and viewed by millions who had no idea what he was talking about, Cruise came across as unhinged.
Ya think?

(More fun with Tom below. Could not resist!)

As the father of two gay daughters, Haggis finally broke with the church over their funding of anti-gay Proposition 8, which banned gay marriage in California. And then he studied and found out more...

As they say, read it all.

~*~



[NOTE: The only other time I have written about Scientology at DEAD AIR, was about the death of Jett Travolta, which was predictably covered up.]

Edit: The last few seconds of the video cautions that all copies are quickly removed by the church of Scientology, so you should download it yourself and upload it to YouTube after this copy is removed. Create a different account for this purpose, since they go after that, too.

Still life with locusts

We watched Terrence Malick's amazing film BADLANDS again last week, and it is such a work of art, I need to share the trailer and insist you all see it. Like, right now.

I can still remember Molly Haskell noting that Sissy Spacek's childlike narration sounded just like TRUE ROMANCES or one of those adolescent magazines. It sure does, and how wonderful and perfect it is.

Roger Ebert includes BADLANDS in his list of GREAT MOVIES:
Kit is played by Martin Sheen, in one of the great modern film performances. He looks like James Dean, does not have bowlegs, and plays the killer as a plain and simple soul who has somehow been terribly damaged by life...

Holly is played by the freckle-faced redhead Sissy Spacek. She takes her schoolbooks along on the murder spree so as not to get behind. She is in love with Kit at first, but there is a stubborn logic in her makeup and she eventually realizes that Kit means trouble. "I made a resolution never again to take up with any hell-bent types," she confides.

Badlands - Trailer (1973)



After presenting the world with this work of art, Malick took several eons directing another amazing work of art, the fabulous DAYS OF HEAVEN. Which you will also go out and rent immediately, especially if you are a working-class or poor person.

Again, Roger Ebert includes this movie among his GREAT MOVIES. And like BADLANDS, there is also a young female's guileless narration, this one by Linda Manz:
Although passions erupt in a deadly love triangle, all the feelings are somehow held at arm's length. This observation is true enough, if you think only about the actions of the adults in the story. But watching this 1978 film again recently, I was struck more than ever with the conviction that this is the story of a teenage girl, told by her, and its subject is the way that hope and cheer have been beaten down in her heart. We do not feel the full passion of the adults because it is not her passion: It is seen at a distance, as a phenomenon, like the weather, or the plague of grasshoppers that signals the beginning of the end.
Unfortunately, this trailer doesn't include any of Manz's wonderfully plaintive narration, as the BADLANDS trailer included Spacek's. You do see, however, that the whole movie looks like an Andrew Wyeth painting come to life. And Richard Gere was... ohhhh my goodness (((fans self)))).

Quite simply, one of the greatest movies ever made.

Days of Heaven - Trailer (1978)



If you are in a suitably biblical/apocalyptic mood, check out the locust invasion. Linda Manz is cutting the vegetables in the first scene.

Incredible, peerless film-making, boys and girls. Took him years, but I'm so glad it did.

On Roe (Norma McCorvey)

Norma McCorvey (on left) aka ROE of the Roe v. Wade Supreme Court decision (which made abortion legal in 1973), with her attorney Gloria Allred, at a pro-choice demonstration in Washington DC during the early 90s. (Photo from PBS)


NOTE: I first wrote this in July 2009, after Norma was arrested at a pro-life demonstration. I am re-running it here this weekend, the 38th anniversary of the Roe v. Wade decision.--DD.


Jovan reported that Norma McCorvey was arrested for demonstrating during Sonia Sotomayor's confirmation hearings. Once pro-choice, McCorvey met up with the Operation Rescue people while defending a women's clinic and started attending church with some of their members. She was subsequently baptized in 1995 and now strongly identifies as pro-life.

News of McCorvey's recent arrest sent me looking for an incisive article I once read about her in the Village Voice, written right after her conversion to the pro-life side...which of course, I can't find now. The author made the case that the pro-choice, feminist movement had systematically dissed McCorvey as a low-class white-trash embarrassment, sending her over to the pro-life side, which welcomed her and feted her. She was in the widely-viewed pro-life documentary titled I Was Wrong (2007). She speaks to pro-life groups throughout the country, and tells them she feels used.

Was she used?

The article pointed out that Sarah Weddington, the lawyer who argued Roe, went and got her own abortion while the case was going on, while McCorvey was forced to go ahead and give birth. Why didn't Weddington use herself as "Roe"?

McCorvey and Weddington comprise the tale of two pregnant women, one from the elite class, one from poverty. One argues Roe v. Wade and becomes internationally famous, the youngest lawyer to win a Supreme Court case. She writes books, holds elected office, teaches at UT Austin, and now has her own Weddington Center. By contrast, McCorvey earns her keep by traveling the church-chicken-supper circuit, telling people that Weddington used her for her own political and professional ends.

Did she?

I think so.

As one who has also been repeatedly dissed, let me say, I know the feeling. Feminism often has the unfortunate appearance of a high-class country club, filled with educated, affluent, snooty white people. This is one reason activists like Renee call themselves womanists. This is why many working-class women say "I'm not a feminist, but..." Feminism is often seen as the territory of highly-educated, elite women. When one of these influential feminists disses you and acts like you don't know any better (especially if you are my age, or Norma's age), it can be deeply humiliating. And confusing. I can remember one of the huge pro-choice rallies in Washington, DC in the early 90s (see photo above, McCorvey and Allred) during which McCorvey was not permitted to speak--an incident also mentioned in the Village Voice piece. Why wasn't she? Too redneck and uneducated? Good Lord, people, the damn SCOTUS ruling was named after her!

I can just imagine Norma tearfully wiping away tears in some fast-food restroom somewhere, after the rally, wondering why they would not allow the person whose life was necessary for the ruling, to speak to a crowd of women celebrating said ruling.

Or maybe she did know why. I mean, I immediately knew why. And if you have ever listened to McCorvey, you know she is pretty intelligent.

And now, I echo the Village Voice author, whose name I can not remember (and therefore can not properly credit), who suggested there was an element of "I'll show you bitches!" involved in Norma McCorvey's defection.

And there is also the matter of basic respect for who she is, in a culture of symbols.

It is no mere coincidence Norma eventually converted to Catholicism under the auspices of the head of Priests for Life, Father Frank Pavone. Catholics understand martyrdom and sainthood. Norma being USED by the pro-choice side became a form of martyrdom. Every time the words Roe v. Wade are used by the mass media, Norma is martyred once again. She is used by a group of people, so the story goes, who needed a pregnant, poverty-stricken stooge who could not afford an illegal abortion. Her own lawyer sure could afford one, and didn't waste time procuring one. Why didn't she do the same for Norma?

She needed Norma. Norma was Roe.

~*~

This whole story makes me cringe; I am typing it in perpetual-cringe position. But I think I know why Norma turned to the other side, where she is a pretty good fundraiser, the Catholic pro-lifers tell me. Most have heard her speak at the aforementioned chicken-suppers. She is a very good speaker, intelligent and earnest. Regular folks. She makes an impact. And when she talks about being used? Home run. Every time. The deep pockets open up and the collection plate is full-to-overflowing.

What does it mean for feminism that one of our heroines, a woman we should have honored and given a place of respect, has jumped ship? A woman who was a lesbian (I am not sure if she still identifies this way, but at one time was in a long-term relationship with a woman and called herself lesbian) and should have seen us as the allies, and not them?

I consider the case of Roe, Norma McCorvey, our own failure. It's on us.

Can we please have some class awareness in feminism? Can we stop exploiting each other? Will this ever happen?

And meanwhile, let me guess....who bailed Norma out of jail?

Old School with Daisy

I thought this was the Stylistics, said Daisy, embarrassed. (An honest mistake; they were both from Philadephia, okay?)

Sideshow - Blue Magic



And this IS the Stylistics:

Betcha By Golly Wow - The Stylistics

Musical interlude

Time for tuneage! (Or is it spelled tunage?) Here are my earworms for the past few weeks; I've been delinquent in not sharing! A variety of styles represented, you should be able to find at least ONE you like.

~*~

In this strangely-staged video, Steve Winwood looks like a boy scout. Come to think of it, he still does. Also, I know he is talking about tribesmen, but I always think of Marvel comics Headmen. I blame my spouse for that!

40,000 Headmen - Traffic



~*~

I debated whether I should jeopardize my musical cred by playing a JOURNEY song ((gasp)) -- an 80s-era secret guilty pleasure of mine, along with Duran Duran. I figured if they were good enough for Tony Soprano, they're good enough for me. Just listen to these purty power chords. (my favorite is at 1:07-14---yowee!) And check out that utterly flawless, bang-up finish.

I love this because it brings back the period surrounding my second divorce quite vividly. Ironically, I wasn't having any fun at the time... but your youth is still your youth, even when it sucks... and one day, believe it or not, you will wax nostalgic over even the suckiest times.

The Girl Can't Help It - Journey



~*~

Did I say Duran Duran?

It is notable that (unlike today) all of the women in this video appear to be of a reasonably healthy weight.

Girls on Film - Duran Duran



~*~

You can close your eyes - James Taylor and Carly Simon



~*~

I frequently quote Billy Jack on blogs ("I try, I really do") and only recently discovered the kidz never even heard of him. Admittedly, I forced my daughter, Delusional Precious, to watch Billy Jack when she was 14 or so (the age I was when I saw it), and she rolled her eyes during most of it. So, I will simply show this montage of clips with the theme song, which you may have heard before.

Time out for hippies!

One Tin Soldier (theme from Billy Jack) - Coven



~*~

There are several excellent versions of this on YouTube, including a great live one w/Crazy Horse, but I wanted the one with fiddles, horse-clopping sounds and Nicolette Larson. (R.I.P.) And whaddaya know, I found it, played right off the record. :)

Comes a Time - Neil Young w/Nicolette Larson



~*~

I was planning to save these last two for Instrumental Oldies, Pt 2, but decided to play them now... since it appears I will never get around to fabled Part Two. I was doing pretty good to post the first one!

Time is Tight - Booker T and the MGs



~*~

Not everyone has an iphone to tell them the names of songs! Whenever this gets played in the store where I work, someone asks me who it is. This was the 'official' video; the original song was well over 7 minutes. (Again, the presence of dancing women of healthy weights! Pretty radical stuff!)

Rise - Herb Alpert

On feminist collaboration with the state

As a veteran of the Watergate era, which I obsessively studied as a young pup, I am so deeply cynical and skeptical of our government, that I initially did not even believe these alleged rape-victims of Julian Assange truly existed. I am still profoundly skeptical, until I see an interview with Barbara Walters or equivalent. (I'll settle for a big blue dot over their faces, as was necessary for Patricia Bowman.)

As I have written before: Deja Vu all over again. The disintegration of the leftist/liberal coalition is in full swing. Obama is a one-termer, as was Jimmy Carter. History repeats itself, almost to the letter, but I can't quite figure out if this is the tragedy or the farce?

When I get confused, I flash back to 1979 and the disintegration of the 70s coalition. And then, it all makes sense.

Feminism was wild, woolly, crazy, brash, overbearing. The refrain was: I am woman, hear me ROAR. Not purr. Not blink our waterproofed-mascaraed eyes and meow nicely. ROAR. As the 80s dawned and Reaganism took over, roaring not only rated patriarchal punishment, but outright banishment. Get with the program, bitches, was the new refrain. 70s feminism became an embarrassment to the new careerist women of the 80s, who bleated incessantly, I'm a feminist but I love men! I love men! I don't hate men! I'm a feminist, but... and then finally FEMINISM as a term, as a philosophy, as a politics, was banished, too.

And something happened.

This phenomenon was first controversially chronicled by a woman I have since been told is "anti-feminist"--which is odd, since she was one of the few women who seemed to understand what the hell was going on. I refer to Katie Roiphe.

From The Morning After: Sex, Fear and Feminism by Katie Roiphe:
The image that emerges from feminist preoccupations with rape and sexual harassment is that of women as victims, offended by a professor's dirty joke, verbally pressured into sex by peers. This image of a delicate woman bears a striking resemblance to that fifties ideal my mother and the other women of her generation fought so hard to get away from. They didn't like her passivity, her wide-eyed innocence. They didn't like the fact that she was perpetually offended by sexual innuendo. They didn't like her excessive need for protection. She represented personal, social and psychological possibilities collapsed, and they worked and marched, shouted and wrote, to make her irrelevant for their daughters. But here she is again, with her pure intentions and her wide eyes. Only this time it is feminists themselves who are breathing new life into her.
Self-described feminists ran to the state, to the patriarchy itself, to local police forces and courts that had never given a shit about women, to punish other men. Without apology. In fact, quite proudly. No political equivocations or similar excuses were given, i.e. we need mean guys to police other mean guys. Battered-women's shelters became beneficent arms of the therapeutic culture; police were suddenly seen as the good guys, keeping an eye on those other dangerous, brutal men. (The most horrific suffering in these situations came from battered women married to police officers, since those particular men had easy access to locations of safe-houses.) Radical volunteers at these shelters, even women who had initially organized them (such as Sue Urbas, R.I.P.) were suddenly persona non grata in the places they had started themselves. The experts and the social workers, acting as arms of the state, stepped in. (You can almost hear John Wayne: We'll take over now, little lady.) And they did. By the end of the 80s, they were in the process of doing the same thing to Alcoholics Anonymous and various other self-help organizations. The state, massive apparatus that it is, does not take well to being left out. And men, in particular, were NOT going to be left out of the project, any project.

By 1999 and the advent of LAW AND ORDER: SPECIAL VICTIMS UNIT, the whole concept was solidified. The law is Our Friend. The state will bring sympathetic justice to raped women. We can trust them. This pro-state, pro-government propaganda has never abated.

If you grew up during that time, you don't know any different. You believe the government is there to help women. You do not believe that the government has its own agenda regarding feminism and women. If you say such things to young women, they will furrow their brows: but there are women police officers, they say. (Mariska Hargitay is popular for a reason, you know.) The concept of the state as an agent of repression, is utterly foreign to them. To say otherwise renders you some kind of lefty/anarchist nut, or worse, a conspiracy theorist. Not a realist.

As a result, the entire invasion of Afghanistan was given a properly feminist spin: Women are being abused by the Taliban! Of course, we must invade. Mavis Leno and other billionaire Hollywood feminists unabashedly called for military intervention.

~*~

To review: The US government is a repressive, carnivorous force.

Ask the women of: Japan, Korea, Philippines, Vietnam, Cambodia, Laos, Angola, Nicaragua, Panama, Grenada, Iraq and Afghanistan. (I'm sure I'm missing a few interventions; how could we possibly keep track of them all?) And that is only a half-century's worth of military meddling. As I have written here before, the US government has had its fingers in the business of so many countries, only God knows the extent of it. And by giving our blessing to the state, by running to the state to settle our conflicts and making sure Mariska Hargitay and company have jobs and plenty of work to do, we collaborate. As US residents, we can't help some collaboration (if you don't pay the IRS and fund their wars, they will put you in jail for tax evasion), but other, more insidious forms of collaboration CAN be directly avoided.

Yes, the word for today is COLLABORATION.

The feminists who are currently mouthing well-intentioned variations of: Yes, we know Julian Assange has a big red target on his back placed there by the US government for exposing war crimes against unnamed dark women in Asia with (waving impatiently) smart bombs and stuff, but we must hear out the complaints of these (Daisy first believed nonexistent) Swedish white women who are accusing him, because, well... what would Mariska Hargitay do? What have we been TAUGHT to do?

Listen to the women!

Well, I do listen to women. I listen to the victims of US repression and violence. I listen to the victims of rape in other countries, women who claim their country and governments have been totally destroyed by an advanced, high-tech military campaign financed by MY money, MY government, without MY consent. Have you written about that, American feminists? Have you denounced war, made in your name? Have you profiled THOSE rape victims? Have you believed those victims and made them the centerpiece of your political campaigns? And why haven't you?

Certain feminists have actually written more about Michael Moore declaring the rape allegations are "hooey" --than they have against the war(s) and US imperialism against the unnamed dark women of the world, which is certainly NOT hooey. They seem far more upset over Michael Moore and Keith Olbermann saying predictable and stupid guy-shit on TV, than they are about the wholesale rape and assault of entire fucking countries. Because you know, American feminists should have the right to watch TV without being offended! (Since when?) The fact that these feminists are going after two erstwhile progressives, is pretty gross. Glenn Beck and Bill O'Reilly trash women and feminism every single day, but somehow, that isn't quite as upsetting.

This disgusting state of affairs has made DEAD AIR almost too nauseated to continue. And then, yes, dear readers, Daisy rallied.

What made me rally? I saw a picture. I decided to share it here. The photo above is of one Dorothy Wetzel Hunt.

Speaking of conspiracy theories, does anyone remember Dorothy Hunt, the wife of E. Howard Hunt?

Dorothy Hunt died. Dorothy Hunt was expendable. Just like all those women in Afghanistan are considered expendable. And the women of all the countries I listed above, were also expendable. American women deserve to live in comfort, and goddamn anybody, male or female, Michael Moore or Dorothy Hunt, who stand in the way.

I can only remember one feminist, Robin Morgan, mentioning Dorothy in a poem. Period. No other feminists gave a shit. She was probably a Republican, after all. No question, she was a CIA agent:
Just before Hunt boarded the aircraft she purchased $250,000 in flight insurance payable to E. Howard Hunt. In his book Undercover (1974), Hunt claims he was unaware that his wife planned to do this. In the book he also tried to explain what his wife was doing with $10,000 in her purse. According to Hunt it was money to be invested with Hal Carlstead in "two already-built Holiday Inns in the Chicago area".

Nixon administration figure Chuck Colson told TIME magazine that "I don't say this to my people. They'd think I'm nuts. I think they [the CIA] killed Dorothy Hunt."[2]Also killed in the December 1972 plane crash was CBS News Correspondent Michele Clark and Illinois Congressman George W. Collins.

"This was probably the most investigated airplane crash in history" said Deputy Cook County Coroner John Haigh. [3] National Transportation Safety Board ruled it to be pilot error.
[4]
Sure it was. (Holiday Inns! Ohhh, that is perfect.)

And how thoughtful of Dorothy to purchase all that life insurance just in the nick of time to pay her husband's lawyers! What a nice lady.

I have often imagined how Dorothy felt, boarding that plane and suddenly GETTING IT. What was it was like to know you had that giant red target on your back (the same one now on Julian's back) placed there by the US government? This was the entity she had worked for, sacrificed for, and thoroughly believed in. A lot like The Mafia. It's your life, and then, finally, it is your death.

And so, I write this for Dorothy Hunt. We will never know the truth about your death, Dorothy. And I apologize for all the feminists who didn't bother to investigate. Mariska Hargitay-on-the-trail does not apply to everyone.

This is for all the feminists who believed in ((cough)) "pilot error"; all the feminists who shrugged because you had the wrong politics and the wrong husband.

Similarly, we see that liberal white US feminists are currently picking and choosing which victims are more important than others. Millions of victims of US carnage should rightly rate a few more blog posts than Michael Moore acting like Michael Moore, you know?

My question to all of you is: why haven't they?

As I said, I am profoundly skeptical. I see the hundreds of probably-astroturfed blog post replies with all of the not-linked commenters predictably stating RIGHT ON, we are glad you are standing up to Assange the bully-rapist! How many of these posts are by government plants or right-wing apologists? Are you absolutely certain you are pursuing the right course of action? Do you see that you are (coincidentally!) weakening the individual who has exposed the war crimes of the government? Do these war crimes bother you at all; have you READ the Wikileaks documents? Women's bodies are littered throughout. Do you care about them? (And if you do, why have you not written about them and said so?) Julian's organization, Wikileaks, has exposed horrific war crimes. Why are you going after him, with the blessings of your repressive government? Is your attack on Julian ultimately going to endear you to the women of the world, women unfortunate to have been born on the wrong side, women who have been left without running water and whose children have been blown up?

Oh, please.

They are using you.

And they will continue to use you with aplomb and make sure you get lots of attention, blog links and air time. They will flatter your ego and put you on radio and TV. In fact, you can work for the government right up until the moment of your elimination, when you are no longer useful. Ask Dorothy. Ask her as she was standing at that airline desk, her heart pounding, purchasing all that life insurance.

I'm sure Julian has purchased his.